Selected recent projects

Lake of Fire, exhibition at Herringer Kiss Gallery, 2025
Masculine Lived Experience at The Esplanade curated by Xanthe Isbister, 2025-26
Craftcare, Meditations on the Practice of Care, book, 2025
O2 Bursary project with Shelby Charlesworth, 2026
Mule with Transparent Pack and Rocks & Other Works, exhibition at Oeno Gallery, 2024
Care and Separation, book, 2024

Consulting and Curatorial

Working with both private and public collections, I’ve come to understand the reciprocal value of connecting with artwork, and, when possible, with the artist, on a personal level. More and more, creative engagement around acquisitions and programming in public institutions, galleries, and private contexts feels essential if we are serious about cultivating a constructive and therapeutic culture, one that looks beyond the simple commodification of art and instead pursues collaboration and care. This means gently breaking down separations between patron and artist, viewer and creator, craftmaker and spectator. It takes as much care to support and sustain art as it does to make it.

Current focus:

  • encouraging and facilitating private bursary and residency programs

  • consulting on individual and corporate collection management and acquisitions

  • developing an artist and curatorial network that looks beyond borders and mediums

Selected new work 2025-26

A selection of work that reflects the last couple of years of production.

Daily practice paintings 2026

“Your diffidence is not in your manner, it’s in your work! You don’t want to be a great painter-just a good one. Let go! When I write a piece, I let go-my way. Fuck the world! It’s what I want to say! Your paintings are still hold-backish. Let go! And bear down-do anything you feel like- and fuck the art world and your message will come through so strong, no one will doubt you. Your colour is so wonderful- like nobody else’s- but you stay safe in pat formats- screw them up, on purpose!” From the diaries of Jack Bush recording the comments of Clement Greenberg (1968)

Daily practice is a therapeutic, idea-building, experimentation, and study. This work consists of intuitive processes and material investigation. Very little thought or prior consideration is placed into this regular practice of making work. I put few rules, except for the rule of showing up in my studio and making.

(all paintings are oil on wood- 7”x10”)